Saturday, December 27, 2014

MY FAVORITE COMICS - X-Men by Chris Claremont, John Byrne and Terry Austin


   

The (Uncanny) X-Men by Chris Claremont, John Byrne and Terry Austin.  THIS IS IT! The still-unsurpassed mold for the modern superhero team. No matter what the opinion makers might tell you, this is THE ONE every single creative team has been trying to mimick, beat down or surpass ever since it was first done. This is the one that jumpstarted the whole X-Men franchise into the moneymaker it became later on. This is the one that gave us the Wolverine we all love and hate and love to hate.

This one has it all: gorgeous artwork, memorable characters, action, grandeur, tragedy, humor, romance, friendship, betrayal, star wars, a secret society, brainswashing, the-end-of-the-world-as-we-know-it, an apocalyptic future,  time travel, battling superteams, dinnossaurs, giant robots, shapeshifters, cyborgs, aliens, mutants, a demon... everything and the kitchen sink. A perfect recipe for failure, right? Yet, it works. And it works beautifully!

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Saturday, September 13, 2014

MY FAVORITE COMICS - Star-lord by Chris Claremont, John Byrne and Terry Austin


A long time ago, there were fun comics, the kind that you read on a breeze and later forget about them and there were good comics, the kind that you'd keep coming back to and read again and again and again until the comic would start wearing out and falling apart. This, the debut of the creative team of Claremont/Byrne/Austin, belongs to this later type of comic. I still remember how it felt unlike anything else I had been reading from marvel. I still remember how I wanted and waited for further stories with these same characters and creators... and how that never came to pass. Still, the team would go on to make their mark on another set of characters and forever change the landscape of superhero comics.


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Saturday, September 06, 2014

MY FAVORITE COMICS - Captain America #247-255

Imho, Roger Stern/John Byrne/Joe Rubinstein's run on this title is still the BEST Captain America EVER, full period.

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Saturday, August 02, 2014

MY FAVORITE COMICS - Iron Fist by Chris Claremont and John Byrne




I still had no clue that writer Chris Claremont and artist John Byrne would rock my world and the world of comics with their seminal take on The Uncanny X-Men when I started following their work on Iron Fist. The stories had drama and action aplenty and the artwork was very clean and appealing. The drawn characters moved! They flowed through the pages looking alive with a fluid and organic nature. John Byrne's people were never stiff and they actually had their mouths open when they talked. There was also this attention to place - the backgrounds seemed like real places and houses. These comics (and others that followed) made me a fan of his artwork for life.

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Saturday, February 04, 2012

Favorite comics of 2011

I know, it's been over a month since 2012 started, but I've always found a bit silly how "the best of..." lists for a given year always show before the year is actually over. So here are my personal favorite comics of 2011:


Beauté, tome 1 - Désirs Exaucés by Hubert and Kerascöet. Sometimes less is more and in this case the deceptively simple drawings by Kerascöet and flat colors by Hubert create an aesthetic that is completely in-synch with the cautionary (fairy)tale of Morue.







Quai D'Orsay Chroniques Diplomatiques - tome 2 by Lanzac and Blain. Best praise I can give: I found myself laughing out loud alone as I read this second volume chronicling the day-to-day behind the scenes of the french foreign affairs ministry staff. Christophe Blain proves once again his immense talent as a cartoonist.






Major by Moebius. Okay, technically this is a facsimile of a sketchbook Jean Giraud Moebius worked on over several years but I believe it was oficially released in 2011. I was amazed to see how much detail and accuracy the master was able to give the artwork at the small A6 size. Amazing!







Donald Duck - Lost in the Andes by Carl Barks. The first volume of Fantagraphics reprint of Carl Barks duck comics collected in an affordable format with beautiful restored flat colors proves that more than sixty years after they were originally drawn and published, these are still some of the best-ever all-ages comics.






John Byrne's Next Men: Scattered, part 1 and 2 by John Byrne. Total fanboy moment here: after this comic series was put on hiatus back in 1995 by its author, I (and everybody else) had to wait fifteen years before he finally resumed and finished the story with this couple of volumes first serialized as a monthly nine-issue comic series between December 2010 and August 2011. Unforgettable characters, classic artwork and a great time-travel science-fiction plot showed that maybe John Byrne should have never paused this in the first place... and apparently this was not the definitive ending as the first issue of a five-issue epilogue - Next Men: Aftermath - hits the comic book specialty stores next wednesday.

Now, let's see if 2012 tops this!

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Saturday, November 08, 2008

TOYS III - Jasmine


This is a statuette of Jasmine, one of the main characters from John Byrne's Next Men.

Being a huge fan of John Byrne and particularly of his Next Men comic book series, I couldn't let this pass. I didn't get this statue when it came out but I have managed to buy it last year from e-bay. It's part of a limited numbered series (this is 338) and it's a reproduction from a sculpture done by John Byrne himself.

John Byrne's Next Men was a comic book that was originally released back in the early '1990s. It came right about the time the first Comic Book Shops were starting business here in Portugal, so it was one of the very first original american comics I collected and read - until then, the only versions of american comics we had around were translated brazillian anthologies usually sold on kiosks.

This year, IDW publishing has started to re-release the series in big-thick black and white phonebook collections. Check them out at amazon.

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Saturday, October 18, 2008

Who's afraid of the Big Bad Byrne?


No secret to anyone who knows me, one of my all-time favorite cartoonists is John Byrne. I grew up with his comics and his influence over my cartooning is still great - probably too much, even.

Now, for all of you who are not in on the current vox pop of mainstream american comics, saying you like the work of John Byrne is about as politically incorrect as it gets - apparently, it kind of has the same effect on current american comic book fandom as saying you like the work of George W. Bush on a convention of the american democratic party. You see, this particular cartoonist has earned the reputation of a greedy old curmudgeon living in an ivory tower. Worse, a very vocal number of comic book fanatics despise his work as "old-school", telling stories of frightening encounters with him on comic book conventions and proclaiming his "old stuff" as better than his current art - something that leaves the John Byrne online personality completely mad.

Apparently, the two major american comic book companies currently see him as a persona non-grata, which, in a way, is reciprocal, as John Byrne himself has become increasingly critical of both Marvel and DC, bitting the hands that once fed him.

Things weren't always like this, though. Back in the eighties, John Byrne was one of the greatest american comic book superstars, writing and drawing both companies' major characters and publicly proclaiming to be a cog in the Marvel comics machine. Now, his comic books no longer sell the huge numbers they once did - which is true of most current comics anyway - and his most recent mainstream series have been cancelled after short runs.

So how does one of the great mainstream american comic book artists got to this point?

In my opinion, John Byrne has suffered from being controversial in his public opinions and from over-exposition (producing some forty pages a month since the late 1970s!) both as an artist and as a "public" figure to an audience that grew up with him and became waaaaay too familiar with his public persona, his art and his opinions, ultimately holding him, his art and his opinions in contempt - other less prolific, less forthcoming cartoonists get away with opinons just as controversial as his, or aren't as criticized for the changes on their art, after all. Quality becomes meaningless in such scenario - no matter how good John Byrne's work might become, or how bad it might get, this particular audience will always find fault in the art and the cartoonist, often confusing him - or his public persona and opinions - with the work.

Do I agree with everything he says? Far from it. People are people and ultimately, I'd say to pay no attention to the man behind the curtain - which is true of most artists anyway.

Do I think his cartoons got worse? C'mon, just look at the beautiful pieces he's been producing as commissions recently - as far as the drawing goes, he's better than ever, I think.

On the other hand, looking at the most recent years, I must be honest and say that I would've prefered to see him doing other projects, like his creator-owned characters, for instances, inking and lettering his own comics, working on other more experimental formats and genres beyond the traditional monthly comics of DC and Marvel... but this is just a matter of opinion really, as I'm sure other readers would rather have him back on the X-Men or the Fantastic Four or being inked by Terry Austin again... but you know what they say about opinions, right?


Still, where others might actually feel glee at this situation, I can't help but feel disappointed at the idea of there no longer being a new regular John Byrne book on the shelves of comic book stores around the world.

Fortunately, this last year, the good folks at IDW publishing started releasing some new comics from John Byrne, like FX - a series created and written by fan-turned-pro Wayne Osborne - and some pretty cool Star Trek stories, written, pencilled and inked by the man himself. There's even talk of him finally returning and concluding his Next Men, one of my personal favorite works of his... which is pretty much what this fan would like to see him doing! So for the foreseeable future it looks like some of us will still have our regular fix of JB's comics and, who knows, his magnum opus might be just around the corner.

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